Why So [Past] Tense?

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This topic contains 6 replies, has 4 voices, and was last updated by  Sunny Henderson 10 years, 10 months ago.

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  • #3308

    Ebony Haywood
    Participant

    Great point, Sunny. I think it depends on the story and narrative. First and second person narratives tend to sound better in the present tense to me. Third person narrative can go either way. When I try to imagine Harry Potter written in the present tense, I’m not sure I would have enjoyed it as much. Gone Girl does a good job of harmonizing both present and past tense. It’s written in first person; Nick’s voice is in the past tense, and Amy’s voice is in the present tense. That format works well with the story.


    • #3378

      Sunny Henderson
      Participant

      I agree that I don’t expect to read a third-person POV in present tense. And Gone Girl is a really good example, thanks for reminding me of that (we will not talk about the ending, though! I’m still mad! ๐Ÿ˜‰ )


  • #3373

    Lee Tyler
    Participant

    Hi Sunny,

    I agree with Ebony, it depends on the story. But knowing your beautiful, well-polished craft, you can pull it off more than anyone. Ebony’s example of GONE GIRL is a good one. The present tense really brings it home in that story so well it makes you sick at some points. If that were past, easily not such a compelling story.
    Go for it. You lead though! ๐Ÿ˜‰

    • #3379

      Sunny Henderson
      Participant

      Thanks, Lee.

      I write the way I write, so I don’t have plans to change unless everything just falls to pieces. ๐Ÿ™‚ But I love to hear what others think about elements like this.


  • #3440

    Ann Stanley
    Participant

    I usually write in past tense, but I enjoy books in many formats. A story written in present tense has a different feel than one written in past tense. It’s a little more immediate, pulling me right into the action. It’s good for stories where the narrator is clueless about what’s happening around them, and, as you said, Jen, it cleans up the prose by making it absolutely clear what’s happening and what already happened. There’s no future in present tense. Thus, the narrator can be just as surprised as the reader when the vampire jumps out at her.

    That said, I often feel it doesn’t matter much what tense a book is written in, if it’s a great story. As soon as I’m absorbed in the narrative, I no longer notice the puppet strings.

  • #3540

    Sunny Henderson
    Participant

    Thanks for chiming in again, Ann. I know we’ve spoken at great length about this in the Sky Writers group, but I appreciate you sharing again for those who haven’t joined us there yet.

    And, of course, I agree. You’re a smart cookie. ๐Ÿ˜‰


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