Gwen Watson

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Viewing 15 posts - 1 through 15 (of 19 total)
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  • in reply to: The Seamstress #4292

    Gwen Watson
    Participant

    Ebony,

    Your story is lovely – it has this nice fairytale quality to it that I don’t encounter often. It’s not only the use of 3rd person, but in certain places even the rhythm has a bit of oral a storytelling feel, like your second paragraph: “People traveled hundreds of miles to see her….

    You do a lot of telling in this piece – you even use that word “told” a few times. The reader is put at a distance as if the story is about a land far, far away. I didn’t feel I was really in the story until Amanda and her mother step into the seamstress’ shop, where this sort of “legendary witch” becomes a real person.

    You might consider looking at the paragraph where “They arrived” and flush out that experience a bit more. I think going from the stories told about the woman to meeting her in person is an important transition – like walking from one world into another. The question is, given the final message, do you want the words to be from this sort of fairytale character, or from someone very real. It seems from the change in perspective that you’re aiming for the latter, so the room they’re in perhaps should be described in a very tangible way, maybe even pulling some of the first paragraph in – the very basic objects of a seamstresses shop. Even then we’d continue to feel her magic though – in how she’s able to interact with others.

    Just some random thoughts – I hope they make any sense!

    I think you could do more with this witch character – she’s intriguing!

  • in reply to: Not a Creeper, I Swear #4107

    Gwen Watson
    Participant

    Hi Ruthanne!

    This is a fun read! You did a great job of developing John Baron Grey’s voice and have given the reader a strong sense of who he is from how he thinks and speaks. And of course, with John watching Katie, you also give us a sense for who she is, which was an effective approach for introducing her as well. I thought your decision to throw this line in at the start – “Katie isn’t Fey. She’s Kin, and that right there is a whole barrel of trouble.” – really set the stage for the story, though of course, we only begin to get a sense for the trouble in this particular passage.

    For me as a reader, I got a little thrown off by the reference to Edward Cullen. You’ve written a piece that has a sort of timeless quality to it. This is a story where there are very traditional ways of thinking about family. You reference a famous side character from a story that has been around for ages, and then there’s the point about the prophesied dragon where you have John making the assumption that the reader will know about how prophesies work (which many of us do because prophesy is one of those story elements that has a long past). But then: Edward Cullen. It’s funny, don’t get me wrong, but as we get further and further along in time, I suspect fewer and fewer people will get the joke. [Who is Edward Cullen??] Off the top of my head, I can’t think of another figure you could plug in there, but for me, the introduction of this contemporary character was jarring.

    That said, I’m sure that was partly your point. The reference does make clear the time in which the story is taking place and I’m sure that’s meant to be a bit surprising to the reader (if they’ve not already figured that out). Is there maybe another way this could be conveyed that will let your story stand on its own?

    I suspect your audience enjoyed this piece. I know I did!

    –Gwen

  • in reply to: Who Is Your Audience? #3826

    Gwen Watson
    Participant

    I’m with the majority here (as of this post). My audience is me.

    Most members of my family are not big readers and they’d be far more likely to read non-fiction than fiction. They’d be looking for short pieces that express ideas or experiences in an intelligent way, ideally with a bit of humor. I need to get better at short, as this post (and others) will demonstrate!

    Among those family members who are readers, most are readers of fiction. My sister-in-law seems to prefer quiet novels, my sister enjoys suspenseful ones, and I have a college-aged niece enjoys a touch of young romance to be thrown in. I have one brother who reads books (not just headlines or tweets) and he seems to read fiction and non-fiction, but I have 3 others who probably have read less than a handful of books between them in the last couple of years.

    I suppose my initial audience for my fiction would be my 13-year old niece. She’s the family’s most avid reader who reads at a level quite a bit above her age. She reads a wide range of fiction, though I sense she tips in the direction of the mysterious and suspenseful. This is an individual who loves to read so much, that when she goes on vacation, she’s excited for the long car ride because it gives her time to read 4-5 books or more from the backseat of the car.

    I had a blog once that I wrote for pretty regularly for a period of time. I felt like I was going out on a limb sharing what I was writing, but I also felt like I was doing something, other than just writing for myself, and that felt good. But as the weeks went on and I just had a family member or two occasionally respond – very occasionally – I decided it was probably not worth maintaining it. In part, while it was related to my core project, it was distracting me from working on it. Beyond that issue, the longer I lacked for an audience, the worse I started to feel (not surprisingly). There are obvious reasons why I didn’t have an audience – I wasn’t out there promoting it or even commenting on other peoples’ blogs and giving them an opportunity to track back to my work. (The chance of someone stumbling upon it was very, very slim.) Rather than do the work of figuring out how to connect with others around it, I just let it go. I suppose I didn’t feel enough commitment to it to go the extra mile.

    All of the above gets to one simple point: I don’t have much of an audience right now (outside of me). I’m consuming content from the internet all the time, but I’ve chosen to connect only with family on Facebook and beyond that I’m not a part of any communities. I believe they would call me a “lurker.” Somehow, I need to get out there more. And that’s why I’m here, of course!

  • in reply to: The Windfall #3689

    Gwen Watson
    Participant

    Hi Susan!

    Like Margie, I liked how you started off with the Tiffany Lamp. With the story itself being focused on desire and motivation and other intangibles of life, the lamp sort of grounded it – made it more tangible, while also setting the stage with this colorful visual image. Also like Margie, I felt this was just the beginning of what could be a larger piece. I wanted to know more about the experience that drove her to Oregon and also about how the counselor position does or does not help her heal and/or pursue her dreams. In a longer piece you might be able to do more, too, with the canoe/river metaphor and I think there is something more to be said about how her “understanding came too late.”

    I might suggest rewording this bit: “as her blood spilled across her work place while she honed her skills cutting glass.” The spilled blood is indicative of her effort, of course, and probably to be expected when cutting glass! But adding “across her work place” created – for me anyway – this grotesque picture of blood everywhere and immediately made me think the story was going in a direction that it ultimately did not.

    🙂 Gwen

  • in reply to: Hello from Colorado! #3514

    Gwen Watson
    Participant

    Hi Lise! It can be hard to keep up with an online course in the midst of everything else life can throw your way. I’m with you – being able to work at your own pace as circumstances dictate is very appealing. A few months ago I had to let Tribe Writers slide — someday soon I’ll get back to it. Congratulations on moving forward, despite the terror. One step at a time!

  • in reply to: Late to the Cocktail Hour #3512

    Gwen Watson
    Participant

    Thanks, Everyone, for the warm greetings!

  • in reply to: March 1604 #4253

    Gwen Watson
    Participant

    Hello Ruthanne,

    Thank you so very much. This was an idea I had for a novel I hope to write, but have not started yet (actually, I guess I’ve now started it…) It would be book 2 of 3, if I ever get book 1 done. Your vision is not far off! Though Master and Commander hadn’t occurred to me, your suggestion of it is giving me all sorts of ideas… Yeah!

  • in reply to: March 1604 #4252

    Gwen Watson
    Participant

    Hi Margie!

    Thank you for putting so much thought into your response. Okay, so on the point about the Tall Ones and land’s end, this being 1602, they are likely on the far West coast of Europe where the land seems to come to an end. Of course, they are setting sail because it’s not truly land’s end and they hope to find a new home, but for a people who’ve never been at sea, it might as well be.

    Your point about somber and gloomy and dispirited gets right to a struggle I had while writing this. So what I want to say is that he knew everyone would be down when they set sail (because they were leaving home and traveling the sea), the fact that the Doyen hasn’t appeared has left them feeling not merely scared and concerned, etc., but they’re feeling abandoned and sort of hopeless. I think dispirited covers that, but gloomy is too much like somber. I’ll have to think more on this and find a better word or set of words.

    The “revelation” is the fact that the Doyen will not be joining them (which Hantar tells them before Atnas arrives in the cargo hold). Of course, the word has Biblical undertones which is also somewhat intentional – going back to the mood among the group and the loss of their old life. But the mere fact that I must explain makes clear that I have some work to do here!

    Again, I so appreciate your comments!

  • in reply to: March 1604 #4251

    Gwen Watson
    Participant

    Mirel,

    What a lovely name! Thank you for your kind words. Your question about being afraid of being seen prompted me to update my copy because I can see how this might not be clear. I added “stowed away” to this sentence: ““We have 40 men, women and children stowed away down there who will believe the Doyen has forsaken them.” Does this make it clearer why they don’t want to be seen?

    And your gunpowder question is a good one. I’m going to have to research this a bit. I was thinking – and what do I know about these things! – that because gunpowder has a strong smell, previous discharges(?) of the cannons would produce a scent that would come to pervade the space even when everything is packed up and not in use. But maybe that’s not so at all. I’ll have to find out!

    Thank you again!!!

  • in reply to: Who Is Your Audience? #3827

    Gwen Watson
    Participant

    Susan, your comment, “I think a group of your peers trumps family and friends,” is an interesting one. I’ve sort of come to that conclusion as well, at least as far as family goes. My family loves me and I love them, of course, but while we’re similar in a lot of ways, our tastes vary tremendously. There’s also this sense among us that we’re each “doing our own thing” and that there’s no obligation to follow what each is doing. That sounds odd, sad, really, and in some respects it is. But for that reason, I don’t expect that any of them will be an audience for what I write. I think it’s more likely that I’ll have strangers reading my work before I’ll have family or friends reading it!

  • in reply to: Late to the Cocktail Hour #3690

    Gwen Watson
    Participant

    Oddly, I randomly realized as I was putting dishes away that you asked about genre, not fiction vs. non-fiction. So as to answer the question you actually asked, I suppose I would say I write literary fiction, but with a bit of the fantastical thrown in. I’m intrigued by magical realism and suspect I’ll spend many years trying to figure out how to write in that genre.

  • in reply to: Precious #3686

    Gwen Watson
    Participant

    Inflict. Good word. I like that. Thank you (though sorry you’re so familiar with this topic)!

    PS: Just read the synopsis of Wool. Wow – it sounds like one to add to my list.

  • in reply to: Precious #3516

    Gwen Watson
    Participant

    Margie, it’s so interesting to read what others see in your own writing. Here I think I’m building suspense by cutting in on the action, but instead I’m creating frustration in the reader, which is certainly not what I want to be doing! Your suggestion about shortening that one part (and by implication, other parts) does make sense. (I went way over my word count, so there’s definitely room to cut!) Thank you!!

  • in reply to: Precious #3515

    Gwen Watson
    Participant

    Scott, thank you for your compliment on the ending. As for description, yes, the Dickens sort of writing style tends to appeal to me and I’m most definitely a “place” person, so I suspect this will be one of my many Achilles heels. I appreciate your pointing this out. Where you say “Add a line or two inside the description…” Are you thinking a line or two of Mary’s thinking or Mary’s experience? I wasn’t sure if you were getting at something in particular there as far as your suggestion goes. Thanks again!

  • in reply to: Late to the Cocktail Hour #3513

    Gwen Watson
    Participant

    Hmmm… This is a question I’m struggling with a bit. Most of the writing I do is fiction, but I’d really like to get good at writing strong personal/lyric essays. I’ve always been a fiction reader, but in the last few years, I’ve read some excellent examples of what can be done in non-fiction/essay writing, and I’m intrigued!

Viewing 15 posts - 1 through 15 (of 19 total)